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plant-based film processing
and atoxic filmmaking

with Ricardo Leite
Rifugio Segreta and Studio Magò
5 days / 8 participants max
september 7th – 13th

In this workroom, we will explore the process of developing photographic and cinematographic film through the use of plants, bringing together the natural elements of Mount Etna, the energy of the sun and light, and the film’s thin emulsion layer.

Flowers, seeds, and leaves, combined with common ingredients such as sodium carbonate and vitamin C, become an effective biodegradable substitute for synthetic developing liquids — highly polluting and expensive. An experience that highlights ecological awareness — understood as relationship, interaction, and immersion in the context in which one lives — as an artistic, ethical, and political act.

The workroom will begin with a practical and theoretical introduction to 16 mm film: its characteristics, shooting techniques with Bolex H16 and Beaulieu R16 cameras, and black-and-white film stocks. We will focus in particular on reversal film, which yields a positive image ready for projection through a double development process.

We will venture along the trails and lava fields of the volcano’s living body, in search of images to film and wild plants to collect — species typical of the Etna ecosystem, including helichrysum, dog rose, broom, tansy, and soapwort.

As part of our research, we will test the chemical reactions of these plants and their remarkable properties on the emulsion of our film stock, witnessing every stage of development through to the final screening.

Each participant will have their own roll of 16 mm black-and-white reversal film. No prior knowledge is required.

In questa workroom indagheremo i processi di sviluppo di pellicola fotografica e cinematografica attraverso l’uso delle piante, mettendo in contatto la natura dell’Etna, l’energia del sole e della luce, e il sottile strato di emulsione della pellicola.
Fiori, semi e foglie, combinati con ingredienti d’uso comune come il carbonato di sodio e la vitamina C, diventano un efficace sostituto biodegradabile ai liquidi di sviluppo sintetici, altamente inquinanti e costosi. Un’esperienza che mette in primo piano la consapevolezza ecologica (nel senso ampio di relazione, interazione, dell’essere immersi nel contesto in cui si vive) come atto artistico, etico e politico.

Cominceremo con un’introduzione, pratica e teorica, all’uso del 16mm e alle sue caratteristiche, alle tecniche di ripresa con le macchine Bolex H16 e Beaulieu R16, alla pellicola b/n e in particolare alla reversal (che con un doppio sviluppo permette di ottenere un’immagine positiva pronta alla proiezione).

Ci addentreremo tra i sentieri e le lave del corpo vivo del vulcano, alla ricerca di immagini da filmare e di piante selvatiche da raccogliere (in piccole quantità e con rispetto): specie tipiche dell’ecosistema dell’Etna come l’elicriso, la saponaria, il tanaceto; e poi menta, rosmarino, alloro… In un’ottica di ricerca testeremo le reazioni chimiche di queste “piante magiche” sull’emulsione delle nostre pellicole, e cureremo ogni fase dello sviluppo per giungere alla proiezione finale.
Ogni partecipante avrà il suo rullo di pellicola b/n reversal 16mm da filmare e sviluppare.
Questo lab non richiede nessun tipo di conoscenza specifica ed è rivolto a tutte.

In this workroom, we will explore the process of developing photographic and cinematographic film through the use of plants, bringing together the natural elements of Mount Etna, the energy of the sun and light, and the film’s thin emulsion layer.

Flowers, seeds, and leaves, combined with common ingredients such as sodium carbonate and vitamin C, become an effective biodegradable substitute for synthetic developing liquids — highly polluting and expensive. An experience that highlights ecological awareness — understood as relationship, interaction, and immersion in the context in which one lives — as an artistic, ethical, and political act.

The workroom will begin with a practical and theoretical introduction to 16 mm film: its characteristics, shooting techniques with Bolex H16 and Beaulieu R16 cameras, and black-and-white film stocks. We will focus in particular on reversal film, which yields a positive image ready for projection through a double development process.

We will venture along the trails and lava fields of the volcano’s living body, in search of images to film and wild plants to collect — species typical of the Etna ecosystem, including helichrysum, dog rose, broom, tansy, and soapwort.

As part of our research, we will test the chemical reactions of these plants and their remarkable properties on the emulsion of our film stock, witnessing every stage of development through to the final screening.

Each participant will have their own roll of 16 mm black-and-white reversal film. No prior knowledge is required.

In questa workroom indagheremo i processi di sviluppo di pellicola fotografica e cinematografica attraverso l’uso delle piante, mettendo in contatto la natura dell’Etna, l’energia del sole e della luce, e il sottile strato di emulsione della pellicola.
Fiori, semi e foglie, combinati con ingredienti d’uso comune come il carbonato di sodio e la vitamina C, diventano un efficace sostituto biodegradabile ai liquidi di sviluppo sintetici, altamente inquinanti e costosi. Un’esperienza che mette in primo piano la consapevolezza ecologica (nel senso ampio di relazione, interazione, dell’essere immersi nel contesto in cui si vive) come atto artistico, etico e politico.

Cominceremo con un’introduzione, pratica e teorica, all’uso del 16mm e alle sue caratteristiche, alle tecniche di ripresa con le macchine Bolex H16 e Beaulieu R16, alla pellicola b/n e in particolare alla reversal (che con un doppio sviluppo permette di ottenere un’immagine positiva pronta alla proiezione).

Ci addentreremo tra i sentieri e le lave del corpo vivo del vulcano, alla ricerca di immagini da filmare e di piante selvatiche da raccogliere: specie tipiche dell’ecosistema dell’Etna come l’elicriso, la rosa canina, la ginestra, il tanaceto, la saponaria. In un’ottica di ricerca testeremo le reazioni chimiche di queste “piante magiche” sull’emulsione delle nostre pellicole, e cureremo ogni fase dello sviluppo per giungere alla proiezione finale.
Ogni partecipante avrà il suo rullo di pellicola b/n reversal 16mm da filmare e sviluppare.
Questo lab non richiede nessun tipo di conoscenza specifica.

NIA – Natural Intelligence for the Arts is an European movement for artistic innovation rooted in ecological awareness, sustainability, and ethical creation. Grounded in the concept of natural intelligence — an embodied, intuitive, and interconnected way of knowing — NIApromotes alternative and sustainable artistic methods that respond to the materials and specificities of each territory. These include practices such as eco-processing film and photographic images using plants, seaweed, volcanic ash, minerals, and other organic or geological elements found in local ecosystems.

CASA DO XISTO

eSe8

NOMADICA

PROVIDENZA

Program

Day 1 • Participants arrive, check-in, and welcome; introduction to 16mm film and the use of Bolex H16 and Beaulieu R16 cameras; Excursion #1 – introduction to the volcano.

Day 2 • Excursion #2 – 16mm filming, plant research and collection.

Day 3 • Excursion #3 – 16mm filming, plant research and collection; infusion of collected plants and preliminary steps for the development process.

Day 4 • Development of the 16mm film reels shot by participants.

Day 5 • Editing of the positive film reels and final screening.
Farewells and departure of participants in the evening or the following morning.

Equipment

Available equipment
• LOMO tanks and all the necessary darkroom supplies (thermometer, ph meter, developing trays, etc.)
• 16mm B/W Reversal Film
• 16mm cameras: Bolex H16, Beaulieu R16
• Ilford Pop-Up Darkroom
• Sennheiser MKE 600 + Blimp microphone
• Zoom H4n recorder
• Splicers for 16mm films
• registratore suono piante?

Required Material
Se hai una cinepresa 16mm che usi, portala pure con te.

Programma

giorno 1 • Arrivo dei partecipanti, sistemazione e accoglienza; introduzione al 16mm e all’uso delle cineprese Bolex H16 e Beaulieu R16; Escursione n. 1 – introduzione al vulcano.

giorno 2 • Escursione n. 2 – riprese in 16mm, ricerca e raccolta piante.

giorno 3 • Escursione n. 3 – riprese in 16mm, ricerca e raccolta piante; infusione delle piante raccolte e step preliminari per il processo di sviluppo.

giorno 4 • Sviluppo dei rulli 16mm filmati dai partecipanti.

giorno 5 • Montaggio delle pellicole positive e proiezione finale.
Saluti e partenza dei partecipanti in serata o la mattina successiva.

Attrezzatura

Available equipment
• LOMO tanks and all the necessary darkroom supplies (thermometer, ph meter, developing trays, etc.)
• 16mm B/W Reversal Film
• 16mm cameras: Bolex H16, Beaulieu R16
• Ilford Pop-Up Darkroom
• Sennheiser MKE 600 + Blimp microphone
• Zoom H4n recorder
• Splicers for 16mm films
• registratore suono piante?

Required Material
Se hai una cinepresa 16mm che usi, portala pure con te.


September 7th – 13th
8 participants
max
5 days
location: Rifugio Segreta and Studio Magò (shared with the tutors)

registration fee – €1100
preorder until August 10th – €900
(includes mentorship, room and board, and excursions on Etna Volcano)

Application: send a short presentation of your work and practice to info@nomadica.eu

7-13 Settembre
7/8 partecipanti
max
5 giorni
sede: Rifugio Segreta e Studio Magò (condivisi con i tutor)

costo di iscrizione – 1100€
preorder entro il 10 agosto – 900 €
(sono inclusi corso, vitto, alloggio ed escursioni sul vulcano)

Per partecipare scrivi a info@nomadica.eu allegando una breve presentazione del tuo percorso.

accommodation – accommodations are shared and essential; all rooms can welcome a maximum of 3 guests. You must bring your sheets (or sleeping bag) and towels. You can find photos and descriptions of the locations here. If you’d rather be independent, you can make your own arrangements, but please let us know when you send your application so we can support you with logistics – Etna is big! Needless to say, living together involves mutual respect, flexibility, and cooperation.

meals – meals are shared, and paid for by Nomadica; vegetarian/vegan options are always provided; if you’d like to arrange your meals independently, the kitchen is at your disposal.

 

more info and faqs

alloggi – gli alloggi sono condivisi ed essenziali; le stanze hanno un massimo di 3 posti letto. È necessario portare la propria biancheria (*per il letto si può optare per un sacco a pelo). Per le location trovi foto e descrizioni qui. È sempre possibile organizzarsi in modo indipendente, ma va comunicato al momento dell’iscrizione, per coordinare gli spostamenti (l’Etna è grande!). La convivenza implica adattabilità e collaborazione.

pasti – i pasti sono condivisi e a carico degli organizzatori; opzioni vegetariane/vegane sono sempre previste; se preferisci organizzarti in modo indipendente, la cucina è a tua disposizione.

 

più info e faq

RICARDO LEITE studied cine-video and theatre at the Escola Superior Artística do Porto between 1998 and 2002. Organized and participated since 1999 in several Film Shows and Exhibitions, having participated in events in Europe, Morocco, Brazil, USA, Canada, and Cape Verde.

Having worked mostly in the experimental genre since 2002, mainly in super 8 and 16mm, he ventured into the documentary genre with “Mazagão, a água que volta”, finished in 2011, supported by ICA and RTP. He was selected for participation in the 6th edition of the Berlinale Talent Campus, at the Berlin Film Festival, for his work developed in the area of experimental film cinema in 2008.

In 2016 he carried out a residency at the most prestigious institution dedicated to experimental cinema, at LIFT – Liaison of Independent Filmmakers of Toronto, in Canada, where he directed a film and gave a workshop dedicated to biodegradable processes in cinematographic film.

His work in biodegradable film processing led him to new approaches to filmmaking that influenced a worldwide community. He is now finishing “Lucefece” and “The blue apples” two feature documentary films mainly shot on film.

RICARDO LEITE studied cine-video and theatre at the Escola Superior Artística do Porto between 1998 and 2002. Organized and participated since 1999 in several Film Shows and Exhibitions, having participated in events in Europe, Morocco, Brazil, USA, Canada, and Cape Verde.

Having worked mostly in the experimental genre since 2002, mainly in super 8 and 16mm, he ventured into the documentary genre with “Mazagão, a água que volta”, finished in 2011, supported by ICA and RTP. He was selected for participation in the 6th edition of the Berlinale Talent Campus, at the Berlin Film Festival, for his work developed in the area of experimental film cinema in 2008.

In 2016 he carried out a residency at the most prestigious institution dedicated to experimental cinema, at LIFT – Liaison of Independent Filmmakers of Toronto, in Canada, where he directed a film and gave a workshop dedicated to biodegradable processes in cinematographic film.

His work in biodegradable film processing led him to new approaches to filmmaking that influenced a worldwide community. He is now finishing “Lucefece” and “The blue apples” two feature documentary films mainly shot on film.